Every afternoon, Merinda Vijayan from Thrissur district of Kerala would head to a roadside eatery in Erumapetty. Not to have a ‘relax tea’. But to make’ parottas’, the favourite dish of Keralites across the globe, for her survival.
This 18-year-old Malayali girl is in the limelight for her sheer commitment to look after her family and finance her studies by making parottas, indeed, an ‘unusual’ job in the very patriarchal sense.
Merinda making parottas at her roadside eatery/Image credit: Merinda
Merinda’s mother Ammini, a single parent, runs the roadside eatery for the survival of their family. Her father abandoned them (Merinda’s mother and three kids) 16 years back. Merinda was three years old then.
The way Merinda is rolling out and cutting the dough during the preparation of the tasty bread is technically remarkable
Ammini has been fighting against the odds, looking after her children by providing good education and life. The brave mother took around Rs eight lakhs of loan for the education and marriage purpose of Merinda’s elder sisters.
Merinda and Ammini
Now she is struggling to repay the loans, but not hapless as the vibrant Merinda dared to take a bold decision to make Ammini comfortable in managing the financial difficulties.
Merinda was not ready to leave her mother alone, and became the parotta maker of roadside eatery. This second year commerce graduation student used to make parottas from 7 kg of refined flour or maida in a day.
Speaking to The Education Post, Merinda says, “When I started out some people made fun at me. I was disappointed a little bit. Then my mother asked me, “Why would I get ashamed to make parottas at my own eatery?” After that there was no turning back. My mother has been my hero since the childhood days.”
As parotta is the signature dish of Kerala, she learnt the art within a spell. The way Merinda is rolling out and cutting the dough during the preparation of the tasty bread is technically remarkable. She knows the trick very well.
“I have learnt it from the daily wage worker who earlier made parottas at our eatery. We paid him Rs 800 a day. But now we’re saving that expense,” Merinda tells The Education Post.
Merinda preparing notes for her studies at the tea stall/Image credit: Merinda
Merinda, who is studying in Thrissur Co-operative Science College, wants to get a banking job after her graduation. She is also an expert in making samosas, parippuvada, and other light dishes.
Her tea stall is located at Erumapetty near Wadakkanchery in Thrissur.
Aishwarya Subramanian – How this young woman designs her life as a Production Designer
‘Lights, Camera, Action’ are the three words we are all familiar with. Behind these three words there is a whole team of professionals, who are easily unseen. They act as an invisible force to help put together a film from start to end.
Aishwarya Subramanian, hailing from Delhi, is now an upcoming production designer associated with a handful of projects including short films, music videos and indie feature films in various roles. Aishwarya has completed her Master’s In Production Design from the prestigious Savannah College of Art and Design, Savannah, Georgia, USA in the year 2022. Before that, she did her Bachelor’s In Design (Interior Design) from Manipal University, Manipal. She finished her high school at International School of Kuala Lumpur, Kuala Lumpur, Malaysia.
Aishwarya is finding a place of her own in a largely male-dominated field. Apart from her unfailing passion for designing and art, she is equipped with the rich experience of having lived through various different cultures. However, she believes it is her upbringing in Indian community that laid a strong foundation for her interest in art and cinema.
As a schoolgirl, Aishwarya Subramanian used to attend stage performances of her brother. She, however, was more interested in all the drama that happens behind the stage. The people and the processes that go into the making of a performance was all that mattered to her. She probably would not have heard the term ‘production design’ those days. But the inspiration from watching all that behind-the-stage bustle stayed within her and grew over the years, prompting her to pursue a career in art direction. Even as a beginner, Aishwarya has a clear-cut approach to designing a project in a manner it enriches and enhances the narrative. She does not look at sets as mere lifeless props, but as important as a character.
“Whenever I watch a film or TV series, I notice the backgrounds and the settings of the film. I have always felt that sets have the power to make the audience empathize more with the characters in the story. Whenever I am working on a new project, I read the script first and try to understand the characters and how they would react to and/or interact with their surroundings. Based on this, I put together a lookbook/moodboard to discuss my thoughts and ideas with the director and producers. Once we lock in on them, then we proceed with securing the necessities for the set design” says Aishwarya.
Some of the projects she was a part of as a Production Designer includes an upcoming horror film, ‘What Are You Afraid Of?’, telling a thrilling story of a weekend trip of 5 high schoolers. She was also part of another film named ‘Game Nite’ as a Production designer. She says these projects allowed her to learn methods of designing sets within a small budget and creative methods to repurpose different objects and spaces. As a set decorator in another upcoming thriller film ‘Get Back Girl’, she was able to collaborate with a team of professionals and see different aspects of set design.
Some of the other projects she was part of the production design team, includes ‘Adelina’, a short thriller story of a medical doll. This film has won accolades in international film festivals.
“Through all these projects, I was able to redesign sets both on-stage and on location, which has both challenged me as a designer and allowed me to identify my strengths. They have let me both be in a team and lead a team as a production designer” says Aishwarya. When asked about her future endeavors, she says, “Currently I am working on a few projects including a web series as Production designer. I am thoroughly enjoying my path and also learning throughout from different professionals. I am just at the beginning of my career and still have a long journey ahead to establish myself in the industry, not just in US but also in India.”
Language assessment tests in India suffer from ineffective infrastructure, high costs and many other issues. To judge test takers accurately, it is important to have accurate, unbiased tests. A comprehensive assessment of language skills makes the hiring process smoother. Assessment tests in India can overcome existing issues in the following ways:
Automated testing – ִּIntegrating technology in language testing offers convenience to test takers, and accurate results to the employers. Artificial intelligence offers less bias and quicker results. In addition, technology allows verified results even for remote users, and can provide high levels of test security. Without adequate technological advancements, the assessment process will continue to be tedious and inaccurate.
Holistic approach – Language proficiency includes multiple language modalities – speaking, reading, writing, and listening. Each of these four skills comprises several sub-skills which contribute to language proficiency. The tests must evaluate all these with some depth to accurately provide full picture of an individual’s language proficiency level. Many tests fail to meet the needs of employers because they focus on a limited subset of language skills. To combat this, tests in India must take a holistic approach towards language proficiency.
Internationally recognized standards – Tests in India need to benchmark themselves against internationally accepted tests so that individuals can find better career opportunities across the globe and companies can identify workers who can communicate with speakers of other languages. The use of tests with different rating scales leads to confusion and lack of testing transparency. Use of an internationally accepted standard will make sure that the test-takers can take advantage of opportunities abroad with test results that are accepted internationally, and companies can understand more clearly whether their potential hires will be able to do the job.
One of the major pitfalls of language assessment tests currently available in India is their inherent bias to accents
Widespread accessibility – During the pandemic, many workplace and academic institutions pivoted to an online or a hybrid model. While many sectors adapted to this change, the assessment sector in India is still operating in the old way. Test takers are required to travel to designated centres on specified dates. To tackle this issue, the existing tests must allow test-takers to take the tests online and at a time of their choosing. This increases job access to those in rural areas as well. Proper proctoring needs to be in place to ensure no one cheats during these online tests. Technology based anti-cheating solutions enable remote testing while ensuring authentic results.
Accent agnostic – One of the major pitfalls of language assessment tests currently available in India is their inherent bias to accents. India is a nation with varied dialects and accents. To assess language proficiency comprehensively and objectively, tests need to be accent agnostic. This ensures that the test takers are assessed on their actual language skills and not their accents.
All of these features will help the Indian language testing sector to meet international standards. The Association of Language Testers in Europe (ALTE) lists assessments such as Speaknow, Learning Matters, and Progos along with others on their website as those meeting these standards.
Am a Blessed Soul, my Ammaa ! Am not lonely, Mother Dear Never lonely from the beginning Mummy ever with me always From my first breath onwards Ever since stepping In here First cries to beaming smiles Birth to birth and rebirths Life to live and living Alive Feeding strength always as own Feeling lively from umbilical cord Musical ways Of Mother Nature Chords Of contentment and pride Notes Of love forever required Am a blessed soul my Ammaa Am not lonely Mother Dear ..!
Ammaa, you inculcated my character That all women are God’s Own Mothers be God’s own particles Mums,the sufferers Of man’s identity Every woman, a Mother-Goddess! So God be present everywhere A forever ally Oh Mom Praying forever you are Omniscient – So, none preys upon righteous me .. No stronger bond there is ; No emotion simply as divine; No more natural a bondage ; Source of sustenance in adversities ; All pain swallowed in love; Am a blessed soul my Ammaa; Am not lonely Mother Dear …!
My silent protector par excellence Shield of Nature forever motherly Shelter from all woeful aches All shocks cushioned ever happily Heaven on Earth – your Noble Heart God in person – It’s You Ammaa..! Godliness in action – your care Religion in display – all motherliness Beginning of growth – you Alone Drinker of all my tears , Mother Dear Epitome of nobility – only motherhood Joyous creation of almighty God Sacred bond cast upon us Bound In love of a Mother Am a blessed soul, my Ammaa Am Not Lonely Mother Dear..!
Mother dearest : light of love Mother sweetest : beacon of hopes Mother mightiest : strength of lives Mother noblest : source of confidence Mother ablest : supreme God’s Presence Mother, Goddess incarnate , Amma Dear My Mother dearest – devoted , dedicated committed, exalted, exemplary – constant, forever Love alone Mother always endearing – nonstop,endlessly Alpha to omega – infinitely adorable Are you alike in all generarions? Aren’t you awake in whole humanity? Oh Mother Divine, bless all world Aren’t all creatures blessed alike? Oh Mother Supreme , Bless Mothers Am a blessed soul, my Ammaa Dear..!
[ From ‘Chasing a Shadow’ by Pamarty VenkataRamana ]